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I N - T H I S - I S S U E :
 
 

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Baker's Seventieth Birthday Celebrations
BY LARS BJORN AND PIOTR MICHALOWSKI
The
celebration of Baker's 70th year in business on May 1-4 filled
the house, and we were lucky to be able to attend the first three days.
Each night featured Detroiters who have become internationally
well-known, backed by contemporary Detroiters. There was also a series
of awards handed out each night. This kept Jim Gallert and Renee King-Jackson
very busy as MCs for the event. On the first night, co-owner John Colbert
received SEMJA's first Jazz History award for his efforts to keep the
music going at Baker's. Colbert took over the club in 1996 from Clarence
Baker (son of the original owner) with Juanita Jackson, who runs the culinary
aspects of the club. All other awards were given by Baker's to all visiting
musicians and a number of veterans on the Detroit scene: Alma Smith, Will
Austin, Bert Myrick, Johnny Allen, Charles Boles, Teddy Harris Sr., Alvin
Jackson, Ray McKinney, and James "Beans" Richardson.
Sheila
Jordan graced the stage on Saturday night in an all-too-infrequent
return to her hometown. She is a marvelous performer who connects immediately
with her audience thanks to her sincerity, musicality, and wit. When she
announced that she wanted to dedicate a song to our current occupant of
the White House, the audience at first gasped, but soon chimed in as it
became clear she wanted to put him "On A Slow Boat To China."
Her unique take on the standard repertoire makes her one of our favorite
jazz vocalists around. Gallert's introduction of Jordan as someone who
does "bebop and beyond" was to the point. She sang several songs
from her recent Little Song CD (High Note): Kenny Dorham's "Fairweather,"
"Hello Young Lovers," and "The Touch of Your Lips."
For "I Got Rhythm"/"Anthropology," she brought her
former Detroit scat partner, Leroy Mitchell to the stage. Jordan
is indeed a master of scat and she showed it off particularly well on
"Everything Happens To Me." She was very ably backed by a trio
she only "met an hour ago:" Tad Weed on piano, Marion Hayden
on bass, and Spider Webb on drums.
Sunday afternoon kicked off with a number of proclamations
to Baker's by various government officials, including Rep. John Conyers.
Kay Baker, Clarence's widow, was the first of many awardees. Gallert presented
a historical sketch of artists who have played Baker's over the years
with the help of pianists Boles  (in
a tribute to Pat Flowers) and Smith (in a tribute to Terry Pollard).Donald
Byrd started his set with a playful version of "What A Wonderful
World" toasting Detroit, Cass Tech, and Baker's. In between tunes
he also elaborated on the notion that jazz is democracy-in-action, and
on various aspects of growing up in Detroit. He proclaimed Detroit the
epicenter of modern jazz, rivaled only by Pittsburgh and Philadelphia.
For most of the set Byrd stuck to the muted trumpet, nicely backed by
Harris (piano), Don Mayberry (bass) and Louis Hayes (drums). When
tenorist Allen Barnes came on stage the pace quickened with the assistance
of Hayes' expert handling of the drum sticks. The band (with Austin on
bass) had a better chance to stretch out for two sets on Sunday evening.
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from top: Kay Baker receiving award from Juanita Jackson and
John Colbert, the new owners of Baker's Keyboard Lounge Sheila Jordan and Leroy Mitchell Donald Byrd; Louis Hayes Charles McPherson; Don Mayberry photographs by Lars Bjorn |
 Byrd returned Monday night to sit in with alto master Charles McPherson. McPherson's opening number, "Blue Monk," was a model of how to play the blues on the alto. He is still at the top of his game and an inspiration to musicians and audiences alike. "Old Folks" was another memorable number in the first set. Weed took the first solo on "A Night In Tunisia" and showed off his solid swing and powerful chord playing. Don Mayberry and drummer Myrick rounded out a sympathetic rhythm section.
Unfortunately, we were unable to attend Tuesday night's concerts, but the rumor is that trombonist Curtis Fuller was hot. |