July

IN THIS ISSUE:

 

 

 

 

Konitz and Toots in Ann Arbor

BY GEORGE KLEIN

On May 8, Lee Konitz performed brilliantly at the Kerrytown Concert House in Ann Arbor. He came out for the second show by himself and said, "I'm going to try to play something I've never played before." This sums up Konitz's career simply but profoundly. He has never settled for the easy or the familiar; he always challenges himself and listeners. After his solo exploration, he was joined by drummer Pete Siers for a duet, followed by a duet with bassist Jeff Halsey. Konitz has always loved duets, and this performance helped show why: there was a constant sense of exploration, of surprise, of really listening by both the players and the audience. After the duets, Konitz said they would play some "real tunes," which included "Star Eyes," "Darn That Dream," and "Cherokee," all sounding fresh — like he hadn't played them before.

The same night just a few blocks away, Toots Thielemans was playing at the Bird of Paradise with Kenny Werner (piano), Ron Brooks (bass), and Gerald Cleaver (drums). The second Konitz show was over in time to catch the late show at the Bird, which a lot of people did, including Konitz himself. So we expected him to sit in. It was a strange set, starting out with the trio of Werner, Brooks, and Cleaver. Werner is a marvelous pianist, full of energy and passion, so things started to swing. But when Toots appeared, Brooks and Cleaver disappeared, leaving Toots on harmonica and Kenny to play duets which didn't grab me the way the Konitz duets did. Maybe it was hearing the trio swing hard first that left me wanting more. I also didn't like the electric keyboard Werner sometimes used — a cross between old soap opera organ fills and fuzak. Toots sounded fine; I was just hoping for more energy. When Konitz sat in, there was still no bass and drums for "Body and Soul." Finally they emerged for "Cherokee" (again) and a couple of tunes after Konitz left. Toots is a very lyrical and expressive player as well as a warm and gentle man. His guitar was on stage but he stuck to the harmonica. It was great to see him, and an extra treat to see Konitz join in. I could have used two more tunes with everyone swinging hard. It was very good to have such a wealth of music in Ann Arbor on the same night.